About
Charles Dennis

PHOTOGRAPHER

IMAGES
Bald Head Island
Series

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IMAGES
Hurricane Fran:
In Memory
of the Trees
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Charles Dennis Photography

 

Charles Dennis  P H O T O G R A P H Y

ABOUT CHARLES DENNIS

"I firmly believe that what we draw from our world, that allows us to create using the elements it has so generously put in our paths, must be given back with as passionate a response as can be given." —Charles Dennis

On February 26, 2005, at the age of 52, Charles Dennis passed away at sunset while resting in his bed at his home in Hillsborough, NC.  In telling the story about his life, as his wife and life companion, I have struggled to determine if it is enough to simply show his work.  I have asked myself, “Could the images, alone, tell the story of his life?”  Some may ask, “Why tell a story at all?  Why not allow only the images to speak to who Charles Dennis was?”  When Charlie left me, he left me alone to make this decision. But, he also left behind over 10,000 cataloged negatives, dozens of journals, hundreds of fine prints.

Charlie’s story is one of chronic and later acute illness, injuries, surgeries and eventual paralysis. When diagnosed at the age of 20 with severe Rheumatoid Arthritis, he knew he would die a slow and indignant death.  There were treatments, but no cures.  He tried them all, but the pain never left him.  The presence of this pain served as a steady reminder that his life was on a very set course.  He knew he would suffer, become crippled and then bed ridden. If his doctors never set an explicit timetable for his deterioration, they also never gave him any hope that his condition would ever improve.

So Charlie set his own timetable.  It was a clock ticking down the months, weeks and days within him as he felt his body progressing further into the disease.  It angered and frustrated him.  It motivated and inspired him.   In 2001, he survived three heart attacks in six months and lived for an additional three and half years.  He was bedridden for nearly the last two years of his life and it was during this time that the artist born within him prolonged his life, fortified his weakened spirits and uplifted all of those who loved him.

 For nearly 28 years, by day he was a highly accomplished professional, commercial printer.  He was fascinated with printing nearly as much as photography.  He was an innovator, a student and a master of fine printing techniques.  He spent hundreds of hours in his darkroom in search of his version of the perfect print. When he became bed bound, we moved his work onto his bed where he spent two years converting much of it into the digital darkroom.  As his hands and legs became frozen and his body fell into the last stages of his disease, he was banked with pillows, fed by others and kept going on powerful pain medications to support his work in the digital print world. He labored twelve to fifteen hours a day at the screen of his laptop meticulously completing his collections, crafting his prints and stretching the limits of his printer and computer.

 For most of his adult life Charlie controlled his illness—it did not control him. He chugged down dozens of pills, endured pain, mood swings, infections, relentless nausea, broken bones, uncontrollable weakness and much more.  Yet his drive to create this body of work could not have been stronger and more vital.  His quest for the perfect image, and later the creation of the print, was powered by years of study, journaling and self imposed critique. As his body slipped away, he became obsessed with creating his visual legacy.  Image by image, print by print, he transferred a part of himself from film onto dozens of printed sheets signing perhaps only one out of every 20.

Two of his largest bodies of work are Hurricane Fran: In Memory of the Trees and the work done over a period of ten years on Bald Head Island, NC.  These two giant collections highlight his landscape work and feature both the beauty and destructive power of nature.  Within each collection are many smaller collections.  During the years that this work was created, Charlie’s frail legs could barely support him. Yet, his tripod held him upright and his love and passion for his image making lifted his pain and carried to him a place of peace and creativity.

— Susan Dennis


This Web site and photographic work are protected under U.S. Copyright Laws. No part of this Web site may be reproduced in any manner, including printing, photocopying, facsimile, transmission, e-mail, CD, linking or other use on the Internet without the written authorization of Susan H. Dennis.